Piano Trios Vol. 3

The year 1808 was a period of superlative productivity for Beethoven: in the midst of all this, Beethoven somehow found the time and energy to compose two major piano trios.

Some previous piano trios were rather lengthy affairs with pretentions to the symphonic repertoire, but the opening movement of op. 70 no. 1 immediately lets the listener know that this time, things are different. The piece starts seemingly in medias res with a tempestuous figure in all three instruments at the same time. The second movement is the one that gave the trio its nickname Ghost. Carl Czerny, Beethoven’s student, seems to have been the first to use this name. According to him, the movement ‘resembles an appearance from the underworld. One could think not inappropriately of the first appearance of the ghost in Hamlet’. Superficially, the sibling of the Ghost may seem closer to Haydn and Mozart in style.

For a long time, the Variations op. 44 were known as Variations on an Original Theme, as the first publication did not name the theme. It has since been identified as a theme by Dittersdorf. The variations were presumably written in 1792 and published in 1804, when various other early works were being offered to publishers. – From the booklet notes

‘Joyous, playful performances, utterly refreshing. The effect is of real chamber music – up close and very personal.


‘This release also belongs to the highest regions of the Beethoven piano trio discography.


‘To my ears the Van Baerle Trio is amongst the top rank in terms of performance and recorded quality.’

MusicWeb International

‘What’s so refreshing about them is that they give each other room to breathe and fantasise. This new generation has found its own way to lay the Ghost.’ (Norman Lebrecht)