‘Every hour I spend at the piano I encounter beauty in art. A great many masterpieces have been written for the instrument, and they provide me with a life-long journey of discovery.’



Chopin with Amsterdam Sinfonietta

From 8:30 PM tonight, a concert stream of last month’s programme with Amsterdam Sinfonietta and Anthony Marwood – including Chopin’s Second Concerto – will be available for rewatching. You can visit the website of Amsterdam Sinfonietta for free tickets. Enjoy!


Editor-in-chief for Luister

I was honoured to be guest editor-in-chief of this month’s Luister – one of the most renowned classical music magazines in The Netherlands. The issue includes interviews and articles on, amongst others, Beatrice Rana, piano builder Chris Maene and De Waalse Kerk, as well as an extensive interview about my latest recording and a report of my first encounter with Glenn Gould’s iconic version.


Goldberg Variations disc to be released!

On September 24 my Goldberg Variations recording will be released! It was made after the tour last year that meant so much to me and to many listeners. Daan Manneke’s ‘Gedanken zu Bach’, which was composed especially for the occasion, has been included on a bonus disc. I ‘m looking forward to performing the Goldberg Variations again later this season (check the calendar for details). The recording is already on sale in my webshop.

In the press

‘He doesn’t seem to try overly hard to be distinctive, but he is so nonetheless, his playing always buoyant and convincingly thought-through.’

The Guardian
See all press


‘Free of bluff and swagger, in deference to the music at all times.’ – NRC

Guiding Principles
‘My overall approach to music is to take a score very seriously, which is not the same as taking it literally. Pianists from earlier days are a constant inspiration in that respect. I admire such artists as Alfred Cortot, who does not position himself between the composer and the piece, yet leaves an unmistakeable mark on the music. Wilhelm Kempff’s aural richness and trueness, for example, is an example of something I aspire to.’

Minnaar is consistently described by the critics as being able to convey musical essence in all its purity. They talk about his spontaneity and naturalness, an ease without superficiality. On his debut solo album of Rachmaninov and Ravel, Gramophone commented: ‘A convincing tonal colourist and ardent Romantic. He’s a natural talent with a bold streak.’ BBC Music Magazine proclaimed the second album their Choice of the Month, saying: ’Underlying Bach’s contrapuntal wizardry is a compelling emotional narrative’. On the third solo album, Gramophone wrote: ‘Minnaar’s identification with Fauré’s unique realm of music is complete and his deeply felt interpretations shine with clarity and infinite nuance.’

Looking back
In Spring 2019, Hannes Minnaar performed on the renowned Master Pianists Series in Amsterdam’s Concertgebouw; as the first Dutchman in 20 years. Hailed by the national press as an undisputed success, NRC noted his playing as ‘free of bluff and swagger’ and ‘in deference to the music at all times’.

Minnaar first gained attention as second prize winner of the Geneva International Music Competition 2008, and third prize winner at the Queen Elisabeth Competition 2010. The influence from his teachers including Jan Wijn, Jacques van Oortmerssen and Ferenc Rados, and masterclasses with Menahem Pressler profoundly informed his performance inspiration. Among conductors, Minnaar has worked with Herbert Blomstedt, Antony Hermus, Xian Zhang and the late Jirí Belohlávek. Minnaar was made a Borletti-Buitoni Trust Fellow in 2011, and he received the Dutch Music Award in 2016 – the highest honour bestowed upon a classical musician by the Dutch Ministry of Culture.

Vitally important to Minnaar’s musical raison d’être is his work with the Van Baerle Trio, founded together with violinist Maria Milstein and cellist Gideon den Herder in 2004. Nominated by Amsterdam’s Concertgebouw, they were ECHO Rising Stars 2013–14.

The 250th anniversary of Beethoven has been a major focus for Minnaar over these last seasons both in performance and recordings. Here too, the critical acclaim is widely supported. Of the complete Piano Concertos with the Netherlands Symphony Orchestra under the baton of Jan Willem de Vriend, the Emperor Concerto was a recommended recording on BBC Radio 3’s Building a Library. It was said to have ‘passion, drama, vital rhythms, transparency, and, more important: a celebration of unity, with pianist and orchestra continually sparking off each other.’ On a recent release of piano trios, containing the famous Archduke, Gramophone concluded: ‘Chamber music performances in the best sense: modest in proportion but rich in insight.’

Looking forward
The 2020–21 season will see Hannes Minnaar premiere a new solo work of Dutch composer Robert Zuidam. He will make international recital debuts in the USA and the UK as well as touring the Netherlands and Belgium in recital and concert. Welcomed back to the Concertgebouw every season, Minnaar will be soloist with the Residentie Orchestra and its chief conductor Anja Bihlmaier. Autumn 2020 will see the release of his much anticipated next solo disc, Nox, based on a nocturnal theme, with the new work of Zuidam complemented by Schumann and Ravel.

For more information on Hannes Minnaar and the upcoming season, please refer to the official biography in the Press Kit. The kit also contains high resolution pictures, please credit the photographer.

download press kit


July 10, 2022

Sunday 12:00 pm

Breda, NL

Grote Kerk

Organ recital

Bach (BWV 564) & Liszt (Ad nos)

July 14, 2022

Thursday 8:00 pm

Naarden, NL

Grote Kerk

Organ recital

Bach (BWV 564), Matter (Vater Unser) & Liszt (Ad nos)

August 1, 2022

Monday 12:00 pm

Asciano, IT

Chiesa San Francesco

Bach – Goldberg Variations

Festival Collegium Vocale Crete Senesi

October 4, 2022

Tuesday 7:00 pm

Schiermonnikoog, NL

Got Tjark

Shostakovich – Preludes and Fugues, op. 87

book 1

October 4, 2022

Tuesday 9:00 pm

Schiermonnikoog, NL

Got Tjark

Shostakovich – Preludes and Fugues, op. 87

book 2

Music videos

Beethoven – Piano Concerto No. 4

In an arrangement for piano and string quintet, with the Dudok Quartet Amsterdam and violist Simone van der Giessen. Empty Concertgebouw Sessions, 24 June 2020

Bach – Goldberg Variations, BWV 988

Bach’s Goldberg Variations and Manneke’s ‘Gedanken zu Bach’. Live concert registration, De Waalse Kerk Amsterdam, 6 August 2020

Van Baerle Trio – Beethoven’s ‘Archduke’ Piano Trio

Andante cantabile from Piano Trio nr.7 Opus 97

Grieg – Piano Concerto in A Minor

With Limburgs Symfonie Orkest & Otto Tausk. A live recording from AVROTROS Klassiek Zondagochtend Concert. 2 September 2012, Concertgebouw Amsterdam

Bach/Liszt – Prelude and Fugue in A Minor

A VPRO Vrije Geluiden live recording